PLEASE HELP BLUE PRESS STAY AFLOAT

Saturday, July 5, 2014

Travels in Abyssinia, the Harar & Santa Cruz

It’s dark down here on the sand
although the sky’s lit up like
Mega-Millions gnawing on a lightbulb
above the pearl-handled tide

& the way your breathing sort of
          ripples thru the mist
makes me want to pull the shade on
a thousand years worth of
                              ocean sunsets

but I’m hooked on whatever happens after
as the streets give up their
trembling denial
                           & the moon hauls out it’s
          black velvet paintings
                          each worth at least a half-
minute of silence
                       
         pacific standard time
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
            Vista Point
            Ornamental pavilions of rust
            consecrate the shoreline
            caught in the glare of fishscale chrome
            as far as the eye can see
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
We get that golden aura off the
late afternoon sun & we’re several bottles past
the trembling blue agave light
as at Playa San Pedrito
previously breathing fire & sea-mist
The initials carved there in the half-light
explaining nothing as I can only remember
the taste of her lips
& the smooth transition
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Angle of Repose
Bending in the rain
like a double-jointed palm tree
as the flashlight batteries give out…

Arcades of black eternity in blue mascara
            out there in the windblown seaweed
the meaning of time like a stolen wristwatch
& you can sing along if you want to
following these damp footprints back to when you
never knew the difference
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
            When asked of their origins
            the Chumash point to the west
            out over the Pacific Ocean
            as being the home of the First People
            a place they call the Land of the Dead
            where the Great Spirit lives
            in a crystal cave
            on the bottom of the sea
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
BROKEN SILVERGREEN SENTENCES
SUSTAINED BY THE LYRIC INSTABILITY
OF WET STONES BLINKING IN THE FOAM
She was stapled like a cloud
to a corner of the sky
the color of beach pavement
                                    & I was a wine-stained tombstone cutback
as ominous as a shadow
                                   falling across a bead curtain
                                                                  in another room

The sunset glass made it a perfect setting for
a soul session with the drainpipe crew
& we danced on the string of a tropical memory
                                   as she always preferred something euphoric
a tidepool with a fuse in it
for example
                                    lit & sputtering
as long as it left a scar
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
The water was cold
              the waves had a glassed-in purity
that shattered into white foam
                            with plumes of mist flying back
                        (The Dragon in the Waves)
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Circling the Drain
like trance music & sun stroke
to float the memory
            sleazy but essential

& no more shipwrecked kimonos
to worship in silhouette
            where we’re the only survivors left
to blink       in the fog
                           & wonder why